Musicians who dropped out of the Great American State Fair said they were tricked - a plot twist that would be surprising if the organizers hadn't made it so obvious.

“I HAVE INFORMED MY AGENTS THAT I WILL NOT BE PERFORMING AT THE FREEDOM 250 EVENT,” wrote the rapper Young MC on Facebook, explaining that “the artists were never told about any political involvement with the event.” Despite organizers’ claims of nonpartisanship, SPIN magazine described it as “Trump-backed.” Country singer Martina McBride agreed that the description “turned out to be misleading.” After many acts withdrew, the humiliated president replaced them all with what he called “the Number One Attraction anywhere in the World”: Donald J. Trump.

That makes sense, because the fair’s sponsor is not America250 - the nonpartisan body set up by Congress a decade ago to oversee the 250th anniversary of the Declaration of Independence - but Freedom 250, an organization that's essentially a wholly owned subsidiary of MAGA. Since his first term, Trump has been horning in on the 2026 events, funding pet projects through opaque structures that confound donors, participants, Congress, and the press about who is paying for what.

This isn't just another example of Trump using the US treasury as his personal piggy bank. It's emblematic of how the president conflates the nation's founding with his own image - l'état c'est moi. It replaces substance with spectacle and history with myth, where heroes are white men under a Christian God and villains are anyone with an inconvenient historical truth.

In 2016, Congress created a bipartisan semiquincentennial commission to plan the 2026 commemoration. Its 2019 report outlined “a monumental initiative” engaging all 350 million Americans, but the Trump administration was watchful for “wokeness.” African American historians marked 2019 as the 400th anniversary of the first slave ship, and the 1619 Project posited 1619 as the nation's true birth. After 2020's George Floyd murder and BLM protests, Trump denounced “angry mobs” and a “leftwing cultural revolution” designed to “destroy [the US’s] very civilization.” He vowed to “set history’s records straight” and established the 1776 Commission, which released a report recommending “enlightened patriotism” centered on Great White Men. The American Historical Association called it “government indoctrination of American students.” Biden disbanded the commission on his first day, but its distorted spirit has risen again.

Freedom 250 is thin on substance but fat on income. The interior department quietly instructed staff to use Freedom 250 as “primary branding” on America250 events, eclipsing the bipartisan commission and siphoning public funds. As of April, America250 had received only $25 million of its $100 million appropriation, with a $100 million “funding shortfall.” Meanwhile, the park foundation has been granted nearly $80 million in federal funds for the semiquincentennial - 10 times its total since 2009 - not counting over $100 million squandered on Trump’s Washington “beautification,” including $5 million to gild four horse statues. Freedom 250 offers incentives illegal from a government agency, like a private reception with Trump for $1 million or a speaking slot for $2.5 million.

Where's the money going? To a mélange of Trumpian egotism, MAGA populism, and Christian nationalism. The first big production was a North Korean-style military parade on the army’s 250th and Trump’s 79th birthday, June 14, 2025, bankrolled by Oracle, Coinbase, and Palantir, with some cost borne by taxpayers. Next was a July 3 rally at the Iowa state fairgrounds headlined by Trump declaring Democrats “hate our country.”

Agencies decimated by the “department of government efficiency” saw funds diverted. The National Endowment for the Humanities canceled $100 million in grants using a chatbot to search terms like “LGBTQ” or “tribal”; a federal judge ruled the cancellations unconstitutional. NEH money was redirected to Trump’s proposed National Garden of American Heroes. Another lawsuit saved the Institute for Museum and Library Services, but it pivoted to administration priorities, informing applicants that projects should “teach citizens about what makes our country the greatest in the world.” A $14 million grant went to Freedom Trucks - six “mobile museums” showcasing a glorious America where slavery is an unpleasant glitch and treaties with Indigenous Americans are not broken. The Smithsonian has been ordered to submit all semiquincentennial exhibitions for “content corrections... replacing divisive or ideologically driven language.”

Freedom 250 is a commercial white Christian nationalist project, with partners like National Religious Broadcasters, Pray, WallBuilders, and Moms for Liberty. Absent from its scores of sponsors is any organization implying racial, ethnic, or gender identity. In May, Freedom 250 sponsored “Rededicate 250: A National Jubilee of Prayer, Praise & Thanksgiving,” featuring 18 of 19 advertised faith leaders as Christians, mostly evangelicals, alongside Republican leaders like House Speaker Mike Johnson. Trump sent a video reading from 2 Chronicles 7:14 - the same one he'd used for another prayer event. Both Freedom 250 and the White House highlight “The Story of America” videos from Hillsdale College, introduced by 1776 Commission chair Larry Arnn. The Freedom Trucks' curriculum comes from PragerU, a pro-capitalist Christian media company.

America is not one story; its meanings are ever in contest. That's what MAGA's semiquincentennial tries to suppress. The image best depicting its singular message is “Prayer at Valley Forge,” a painting of George Washington kneeling in snow beside his horse, contributed by late Utah-based conservative Christian artist Arnold Friberg. It's emblazoned on Freedom Trucks, circulates in federal agency social media, and is sold on America250's website as a print and comic book. It has two flaws: Washington was a vehement defender of church-state separation, and there is no evidence this incident ever happened.